Manon-GIGNOUX-artiste-plasticienne-bOssa-TALENTS

Crédit photo © Michel Chansiaux

Maflohé PASSEDOUET

Visual artist, lives and works between Paris and Lyons, France.

 

Maflohé Passedouet is in charge of the artistic direction of the Mobilis-Immobilis Company which is dedicated to contemporary creation, mixing multimedia, digital arts, live performance and visual arts.

Her creations address the issue of relationships between body and the most recent digital technologies. Body, this natural interface which connects us dynamically with the world, was at the heart of her issues from the beginning of her work as a visual artist.

She collaborates with multidisciplinary professional artists and personalities of scientific research with the desire to open the field to new artistic experiments to develop interfaces between the body and the existing and emergent technologies.

Maflohé also creates interactive installations (in association with researchers, programmers, sound artists) among which the main themes are the perception disorders, the senses synesthesia, the spatiotemporal marks loss.
Her artworks are exhibited in France and abroad (Bruxelles, London, East Europe...).

TARENTELLA
TARENTELLA

Tarentella reveals the desire to find the taste of magic, communicating shudder, to find pleasure to vibrate in connection with others, to share an intimist sensory experience. The movement appears from the inertia of an object... The public attends a metamorphosis, at a restoration of life in a dress made in and populated of materials which transform when we approach it. Interactive and behavioral installation 2014 Photo credit © Compagnie Mobilis Immobilis / Frédéric Soumier

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TARENTELLA
TARENTELLA

Tarentella reveals the desire to find the taste of magic, communicating shudder, to find pleasure to vibrate in connection with others, to share an intimist sensory experience. The movement appears from the inertia of an object... The public attends a metamorphosis, at a restoration of life in a dress made in and populated of materials which transform when we approach it. Interactive and behavioral installation 2014 Photo credit © Compagnie Mobilis Immobilis / Aurélien Conil

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BETWEEN THE LINES
BETWEEN THE LINES

The spectator is kidnapped by a fortune-teller with a veiled face. Taken to a dark alcove where appears in front of her/him the unveiled, mobile and silent face of the gypsy woman: her virtual double, her 3D avatar. The palm lines are read by a small camera manipulated by the performer and the avatar comes to life and announces her prediction via a genuine Romany gypsy tarot. Real time interactive performance 2012 Photo credit © Compagnie Mobilis Immobilis / Cédric Plessiet

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BETWEEN THE LINES
BETWEEN THE LINES

The spectator is kidnapped by a fortune-teller with a veiled face. Taken to a dark alcove where appears in front of her/him the unveiled, mobile and silent face of the gypsy woman: her virtual double, her 3D avatar. The palm lines are read by a small camera manipulated by the performer and the avatar comes to life and announces her prediction via a genuine Romany gypsy tarot. Real time interactive performance 2012 Photo credit © Compagnie Mobilis Immobilis

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THE BODY OF MY SOUL
THE BODY OF MY SOUL

This installation questions us about love relation and pacts that we weave all in our life and ask the question of freedom in union beyond sacred, symbols and dogmae. The installation stages the bridal dress. Suspended in the air, this dress livens up in an appearance which seems angelic, magic... While the dramatic art takes place by a video projection, the visitor is invited to take part in the ceremonial. Video installation 2009 Photo credit © Compagnie Mobilis Immobilis

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THE BODY OF MY SOUL
THE BODY OF MY SOUL

This installation questions us about love relation and pacts that we weave all in our life and ask the question of freedom in union beyond sacred, symbols and dogmae. The installation stages the bridal dress. Suspended in the air, this dress livens up in an appearance which seems angelic, magic... While the dramatic art takes place by a video projection, the visitor is invited to take part in the ceremonial. Video installation 2009 Photo credit © Compagnie Mobilis Immobilis

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ONE DAY MY PRINCES CAME...
ONE DAY MY PRINCES CAME...

Everything starts in a forest. She. He. They... The princes. Half-animals, half-humans. Feathers, bones, hairs... Without faces or rather hidden, concealed faces. He embodies these multiple. Embodiments of some monstrous dreamy, magnetized by physical curiosity, desire, rejection or domination of the other, the need to make couple, or according to humors to look for solitude. Games of approaches. Dance video Tribute to the Peaud'âne tale 2011 Photo credit © Compagnie Mobilis Immobilis

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SURU
SURU

SURU questions relations between beings, attachment, physical and imaginary closeness but also friction, break and energy of movement. The bodies of the two dancers, very identified at the beginning by their own energy and movements, are transformed little by little until moult and become soaked with the porosity of the other one and with the generated outside environment. We attend here a metamorphosis. French-Japanese hydrid performance 2015 Photo credit © Compagnie Mobilis Immobilis

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SURU
SURU

SURU questions relations between beings, attachment, physical and imaginary closeness but also friction, break and energy of movement. The bodies of the two dancers, very identified from the beginning by their own energy and movements, are transformed little by little until moult and become soaked with the porosity of the other one and with the generated outside environment. We attend here a metamorphosis. French-Japanese hydrid performance 2015 Photo credit © Compagnie Mobilis Immobilis

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